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In the image of the two sandhills, it was imperative I increase my depth of field. Normally, I like to use higher shutter speeds to stop a bird in flight, but because I was using a wider focal length, I was able to get away with a slightly slower speed and still freeze the bird.
#Carpe diem yoga iso
The focal length was 80mm, aperture of f/7.1, ISO 400 and a shutter of 1/1250 sec.
#Carpe diem yoga free
When the sun broke free from the fog, I prayed one would take off. From some of the lower palms, birds would fly in the background. This was essential to capture the bird in flight. In the image of the heron and palms with the bird in flight, there are similarities to the above photo of the wildebeests but because I had brighter conditions, I was able to use a higher shutter speed. We don’t often get mist and mood in Tanzania. I knew I could open the foreground shadows in post processing. I used minus 1 compensation as to not blow out the sky. I raised the ISO to 800 and shot wide open. I feared if I used a slow shutter, the moving wildebeests wouldn’t be sharp. With the low morning light, I didn’t have the luxury to stop down the aperture. I wanted to include the elevated levels of hills with the background mist and wanted all in focus. I used a wide focal length lens, which provides a lot of depth of field. The photo of the wildebeests in the morning fog uses the same principles as the elk but in reverse. As soon as the four animals split apart, the bull exhaled and CO 2 radiated from his mouth-it was a moment I’ll never forget. I waited for them to separate as it was of great magnitude they didn’t merge. As a result, they provided a sense of place but don’t pull the eye away from the animals. The misty trees in the background fell out of focus. Only the elk and surrounding grasses were sharp. This allowed me to use a wide-open aperture at 400mm. Serendipity was on my side as the four elk in the soft mist were on the same plane of focus. Use Fog To Emphasize Shallow Depth Of Field Had the fog not been heavy, the mood would be totally different. The heron is sharp, the coots fall out of focus and the tree is just a shape in the mist. My intent was to show layering of the subjects as they gradually receded into the background and fell out of the range of focus. I used a wide aperture so the depth of field would be shallow. In the image of the great blue heron in the swamp, I was at Viera Wetlands in Florida. And be sure to include the entire reflection. When the sun breaks free from the fog, dial in minus compensation to not blow out delicate highlights on the water dripping from the bird’s beaks. Wait for the subjects to display behavior. Set the white balance to shade to warm up the color (this could also be done in post). Open the aperture and isolate single flamingoes or doubles if on the same plane of focus. I shared the following strategies with my students: Set the ISO around 400 as I predicted it would get bright. In anticipation of what may unfold, I had the guides park the vehicles as close to the edge of the lake as was safe and let the safari participants know what they were hopefully going to capture. There was low mist off the water, a low thin layer of fog and a clear sky about 10 degrees above the horizon. In the image of the flamingoes in semi-silhouette above, we were at Lake Ndutu in Tanzania. So when it occurs, carpe diem! In this week’s tip, I share with you ways to make sure you capture wildlife in the mist, fog and other moody and mysterious conditions. Mix in the rarity of misty, moody and dramatic light, and the odds of being granted a great wildlife photo don’t often happen. Simply going to a location and hoping for good light isn’t enough.
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So much needs to fall into place to obtain an outstanding photo. I also love the challenge of wildlife photography. So when they occur, be ready, be prepared and get excited. The images are made in conditions that stop viewers of your photos in their tracks because they’re one of a kind. When they’re encountered, every unfolding second is unique. What makes these conditions so special is they’re not the norm. Conditions change by the second, every moment is breathtaking and every new instance provides new images. Mist, fog, dramatic light, moody, mysterious: These are conditions under which I’d make photos until my final shutter click.